Author: Gareth Jones

  • Claire Sanderson  |  Editor-in-Chief  |  Women's Health UK

    Claire Sanderson | Editor-in-Chief | Women's Health UK

    *What made you want to work in publishing? *

    The media always seemed impossibly glamorous to me growing up in the South Wales Valleys. I adored writing from a young age, and had a genuine interest in current affairs, so a career in journalism was my long-term vision. My first job as a news journalist married those two loves perfectly, and I haven’t looked back since.

    Women’s Health UK will soon be celebrating its 100th issue in August – what’s it like editing a magazine with such authority in the wellness space?

    As soon as it launched, being the editor of Women’s Health UK was my dream as I’m obsessed with all things wellness. I’ve now been in the role for almost six years, but still feel so incredibly privileged to edit a magazine that holds such an authority in the wellness space. Women’s Health UK is so special in that it opens up the health and wellness space to everyone, whether that be through thought-provoking editorial, or bold campaigns that make an impact.

    ‘Project Body Love’ and ‘It Starts with a Bra’ are two recent campaigns that I’m particularly proud of. It was a huge honour to have Adele Roberts on our most recent print cover, too. I received hundreds of messages from those in the ostomate community who were so thrilled to see someone with a stoma on a magazine cover as big as Women’s Health UK for the very first time. That’s what it’s all about for me.

    How has the brand stayed as relevant today as it was when it first launched in the UK?

    Women’s Health UK is always ahead of the curve when it comes to forcing conversations – that, in my opinion, is what keeps it so relevant. It was one of the first brands to openly discuss mental health, encouraging women to be vocal about their experiences long before it was broadly socially accepted. Whether it be a question on fitness, health or self-confidence, we’re continuously pushing the boundaries, driving covers and campaigns that spark meaningful conversation.

    Talk to us about your digital expansion…

    We’ve expanded exponentially across digital and are continuing to look into how we can make our content even more accessible. We’ve enjoyed up to eight million unique views per month on the website, and are generating high engagement across social platforms, including TikTok, which is performing particularly well. My role as Editor-in-Chief is to ensure we’re consistently hitting our brand message, whether it be in print, on the website, or through social channels.

    How important is the Women’s Health UK print product today?

    The Women’s Health UK print product is, without a doubt, the foundation of the brand. We know it’s enormously important to our readers, and that’s not only reflected in feedback, but in performance, too. We grew in both subscribers and newsstand sales last year. I think it all goes back to the brand’s authority as a leader in the wellness space: women have formed a relationship with the print product which, in many ways, can’t be replicated online.

    Tell us a bit more about the Women’s Health Collective, your membership proposition?

    Women’s Health Collective was launched late last year to offer women the chance to establish an even deeper relationship with the brand. Essentially, it’s a content proposition that lives online, offering members exclusive access to content they can’t access anywhere else. Our experts include personal trainers, nutritionists and dermatologists – to name a few – and the content spans fitness plans, on-demand workouts and, nutrition and recipes. What’s special about the Collective is that it’s personal: readers are able to reach out to our experts with specific questions, and will receive relevant, science-based answers.

    What’s on your radar? (Anything industry related of excitement or concern)

    When it comes to publishing on a broad scale, I’m definitely very tuned in to how the membership model is evolving at the moment. I don’t view it as a threat, but rather, an opportunity. It’s really interesting to see how other brands are reshaping and redefining their membership propositions, and great to be able to see what’s working, and what’s not.

    Of course, women’s attitudes to health and wellness are constantly on my mind, too. We saw a huge uptick in attention towards healthy living from our core demographic post-covid. Today, women are much more concerned with how to live healthier, whether that be mentally or physically, and there is no brand better placed to take them on that journey than Women’s Health UK.

    What magazine do you stockpile?

    I’m a huge magazine junkie (unsurprisingly!), and subscribe to Apple News Plus, which is fantastic because it means I get everything all in one place. I love the features in both ELLE and Cosmopolitan, as well as the longer reads in The Atlantic and New Yorker. I’m also a sucker for all the Sunday supplements – I read the Sunday Times Magazine from start to finish every week!

  • 60 seconds with Richie Booker

    60 seconds with Richie Booker

    Sum up our industry in 3 words…

    Shaping lived realities.

    You’re Head of Diversity & Belonging at Hearst UK – what does that entail, and why is it so important?

    My job sits in and across all areas of the business. I do everything from creating our five-year D&B strategy and supporting our Senior Leaders to advising on our content and consulting on our campaigns. No one day is the same. It is important because the media industry historically has not always adequately represented marginalised and racialised communities, both in content and behind the scenes. Diversity and Belonging shifts that; it pushes for diversity with consideration and an environment where everyone has a voice that belongs.

    What attracted you to joining our industry, and more specifically this role?

    Our content isn’t just entertainment, it has a direct impact on the way we see ourselves and other people. I worked in the rehabilitative function of the criminal justice system for well over a decade. Whenever I asked someone in the system what shaped their view of themselves or others, media was always in the top three. I had a direct insight into how media impacts our daily lives for the good and the bad, and wanted to be part of influencing that.

    What’s currently inspiring you at work?

    The passion of others here at Hearst UK. Diversity is a collective journey, and I am constantly inspired by my colleagues who never stop pushing for more. We have a highly engaged Diversity & Belonging team, a Diversity & Belonging Steering Committee, and an array of Employee Resource Groups who engage with others in the business and help to drive change. As applies to the whole industry, we are still on a journey, but my colleagues throughout the organisation don’t see obstacles – they see opportunities, and nothing could inspire me more. Since I joined Hearst UK last year, I’ve helped colleagues open up the conversation around D&B much more, and it’s very much part of the rhythm of our business conversation. That’s inspiring for me, and I hope for everyone else.

    What’s having the biggest impact right now in improving diversity in the industry and what more does the industry need to do?

    Outreach, outreach, outreach. It is important that people not already working in media/publishing see that this industry is for them too, and understand the possibilities of a career in magazine media. I didn’t even know my job was possible before I stepped into it. I should add that outreach doesn’t begin and end with young people, it is important that we are engaging people of all ages, including those on second and third careers.

    *How can organisations such as the PPA help with the work you do? *

    The PPA already helps in connecting the dots with their pan-industry Diversity and Inclusion Board. We simply cannot address industry-wide issues relating to diversity and belonging in silos. It takes community and collective movement, which can only be done by organisations coming together.

    What magazines did you read when you were younger and what did you enjoy about them? And what’s your go to read now?

    My magazines of choice when I was young were Word Up, Right On, and The Source. They were Black-focused magazines popular in the 1990s that fully represented me as a Black man, and you used to get news and posters from all your favourite R&B and Hip Hop acts.

    It’s difficult to answer now as part of my job is to read our magazines. I have read a lot of ELLE Decoration for home ideas, and I read a lot of Digital Spy to keep up with news from TV and Film (which is online only).

    What do you hope to be doing in 10 years’ time – personally and professionally?

    In an ideal world, I and other Diversity focused professionals wouldn’t be needed in ten years and people will be empowered to the point of autonomy, however I think our collective industry’s journey will take a little longer than that. Professionally for me, I hope to be influencing and conducting more conversations both in front of and behind the camera.

  • Digital Collective update: sustainability, best practice, and common challenges

    Digital Collective update: sustainability, best practice, and common challenges

    Those around the table raised a number of useful pointers for digital strategy product teams to bear in mind, some of which we’ve listed below.

    A huge thanks to Carolyn Morgan, Managing Consultant, Speciall Media, for facilitating the discussion, and to Fabrice Bernhard and Kapil Tyagi from Theodo UK for partnering with us on this event.

    If you are responsible for shaping your digital product strategy, get in touch with Aisling.hilsdon@ppa.co.uk about joining the PPA Digital Collective and attending future meetings.

    Considerations

    Change management style: Digital development means changing workflow, especially for editorial teams who can feel overwhelmed with the number of platforms to master. Bringing the publishing teams with you on a project journey can be more challenging than convincing senior management to invest.

    Continual innovation: Digital products can’t stand still. To ensure features provide value for users it’s important to use all opportunities available to gather feedback.

    Prioritisation: Knowing what to do first can at times feel like working in air traffic control. Keep sight of the purpose, be data-driven, and balance short-term fixes with long-term objectives.

    Print to digital transition: It takes time to convince print readers of the value of digital. Spiralling paper prices and squeezed consumer spending could mean that digital transformation needs to be accelerated.

    Advertising to reader revenue: Some publishing business models are accelerating towards subscriptions, but there’s also growing interest in gathering first-party data and analytics to enhance ad targeting. A single website may encompass a free ad-driven model and a premium subscription package.

    Talent and resource: Developer talent is scarce and expensive. Availability and retention are important to consider when making decisions. This creates greater pressure when prioritising projects.

    Building a business case: It’s important to keep stakeholders on side while developing a business case for investment.

    Digital agencies: Digital agencies are an effective solution to resource scarcity – not only when building and launching projects but also when maintaining existing products. Theodo UK spoke about being involved in the creation of business cases, onboarding, and helping to change behaviours around adoption.

    Tech selection & AI: Changing platforms needs to be a careful consideration – don’t underestimate the impact on your team. AI is of limited value for creating editorial but can help when it comes to more complex systems eg. offering tailored subscription packages to readers based on their behaviour.

    Platform choice is key: Some publisher sites are heavily reliant on platforms such as google for traffic – or other social platforms. Keeping up with changing algorithms and analytics iterations can be challenging.

  • B2B subscription strategies dinner

    B2B subscription strategies dinner

    Representatives from Mash Media, Mark Allen Group, FSE Media, The Drum, Newtrade Media, and more joined us – it was a fascinating discussion with great insight shared.

    Just some of the themes and topics discussed:

    • How to turn online users into paid loyal users

    • Converting controlled circulation into subscriptions

    • Moving into new markets

    • The impact of the current economic environment and rising costs

    • How to repurpose content effectively

    • Finding a value proposition in print to pull audiences into digital engagement

    • Understanding how much a customer is worth

    The PPA regularly facilitates events and discussion groups like this. If you are interested in learning more and joining in the future, please get in touch with Aisling Hilsdon, PPA Community Manager aisling.hilsdon@ppa.co.uk

  • olive magazine launches online shop

    olive magazine launches online shop

    The olive shop’s selection is from some of the UK’s finest small businesses, which are normally only available direct from the suppliers.

    For Christmas, olive magazine has launched its very own branded hampers for stress-free gifting. They’re filled with artisan products all chosen by the olive magazine team including Sussex cheese, cheese pairings from Bath, Bermondsey gin, London’s first bean to bar chocolate maker, Lucocoa, Norfolk chocolate truffles, Horsham buttery biscuits, and Yorkshire speciality coffee.

    Alex Crossley, Digital Editor adds “We’ve had a great response to our launch from consumers who value artisan ingredients. Our olive team of experts provide insider knowledge to elevate every meal, so you can enjoy the best food experiences at home and beyond. The olive shop takes this to the next level and helps our readers on that journey by enabling them to source quality ingredients all in one place. Our experience in product reviews helps us find the best of the best for readers to buy, and now we’ve curated our very own gift hampers, perfect for the festive season.”

    The olive shop is part of olivemagazine.com which offers thousands of thoroughly tested recipes, kitchen inspiration and insider guides to travel, restaurants, health and drinks including wine, cocktails and coffee. The olive shop helps readers enjoy the best food experiences at home.

  • Immediate Media expands digital portfolio with Nutracheck

    Immediate Media expands digital portfolio with Nutracheck

    Nutracheck helps to guide members to healthier lifestyle choices, using a unique food database with over 350,000 products and barcode scanner, combined with connectivity to activity tracking devices.

    The acquisition of Nutracheck further enhances Immediate’s multi-platform content, services and subscriptions offer, in addition to creating significant growth opportunities and expanding Immediate’s digital capabilities.

    Sean Cornwell, Immediate’s Platforms CEO, says: “We’re delighted to welcome the Nutracheck team to Immediate. Nutracheck is the UK’s leading food-tracking app, and a great strategic fit for us. We can see real developmental and growth opportunities both for Nutracheck and our food business. The addition of Nutracheck, and their award winning team, accelerates Immediate’s transformation to a fully cross-platform business, significantly growing our digital subscriptions base and enhancing our skills expertise.”

    Nutracheck CEO, Tim Vryenhoef, says: “We’re really excited about this deal with Immediate. Over the past 17 years we’ve built Nutracheck to become the UK’s highest-rated nutrition tracking app. Our new partnership and home with Immediate offers a fantastic opportunity to take Nutracheck to the next level. There is a meeting of minds in terms of our business cultures and ethos, as well as an obvious overlap in terms of our respective audiences, particularly with Immediate’s food portfolio. We believe this partnership will be excellent for the Nutracheck brand, our fantastic team and ultimately the people we work for, our loyal members.”

    Nutracheck will continue to be based in Nottingham, with founding partners, CEO Tim Vryenhoef, Marketing & Communications Director, Rachel Hartley, and Technical Director, Paul Cookson, continuing to lead the business, working closely with Immediate’s Platforms CEO, Sean Cornwell and the Immediate’s Platforms Leadership team to realise the longer term growth plan.

  • Guest-editor art initiative set to raise money for Big Issue Group

    Guest-editor art initiative set to raise money for Big Issue Group

    Dave Buonaguidi, better known as Real Hackney Dave, has produced an exclusive art supplement for Big Issue magazine, with brand new works by him and fellow artists which will be exhibited and sold to raise money for Big Issue Group (BIG).

    The pieces showcased in The Big Issue art special are all created around the concept JUST BE NICE, on why he chose this subject, Real Hackney Dave explained: “It’s just 10 letters. Just three words. but it’s a very powerful and positive mantra and it’s very liberating”.

    He continued: “The idea was to bring JUST BE NICE to life with pieces of art. I have made three huge works, a piece made of flowers, another with 4,000 sequins and even a seven-foot inflatable. I also contacted all the brilliant artists I know and asked for a massive favour. They created 50 incredible pieces that will be available to buy at a gallery in Hackney Wick in East London in November/December.”

    All the works for the special edition include the JUST BE NICE motto, with the artists portraying their own creative takes on what that means to them.

    Dave also asked Jamie Oliver to be a part of his special guest-edited edition of the Big Issue, the celebrity chef and school meals campaigner took the opportunity to talk about what JUST BE NICE means to him: “Dave Buonaguidi, asked me to write a little something about kindness. Kindness shouldn’t be a competition, it shouldn’t be a transaction and it shouldn’t be seen as a badge of honour. I genuinely think it’s something beautiful, intimate and something that means you can sleep well at the end of the day. When all is said and done, it’s what really matters in life.”

    He continued: “May I say thank you for your kindness in buying the Big Issue. It’s disgraceful that we
    still have homeless people, so thank you for your contribution.”

    The artists contributing to the special and exhibition include: Real Hackney Dave, Heath Kane, Haus of Lucy, Zombie Squeegee, Mervyn Penrose, Ben Eine, Shuby, Adam Bridgland, Cassandra Yap, Jessica Rose Bird, Newton Davey, Francesca Spinks, M.E Sterr-Molnar, Graham Storey, Julia Andrews, Gavin Dobson, Katie Mayer, Exhibit 69, Mark McClure, Natasha Searston, Nell Flynn, Maxine Gregson, Populuxe, Rose Stallard, Pam Glew, Stuart Forrester, Damien Cifelli, Colours of Marlow, Michelle Mildenhall, Amy Gardener, Caro Clarke, and Angela Morris-Winmill.

    On working with The Big Issue Dave said: “I have always been in awe of the work The Big Issue does. It’s very inspirational and the chance to work together with the team at The Big Issue to celebrate the concept of JUST BE NICE is a great fit and feels totally right at the moment. To be honest, I can’t think of any other organisation that eats, sleeps and breathes the concept of JUST BE NICE more.

    “I’m a mixture of honoured, excited, and sh*t scared to be asked to guest-edit this special, I just hope I don’t f*ck it up too much. I hope you enjoy it. More importantly, I hope you love all of the stuff that has been created and donated by various artists. Their work will ultimately be up for sale in a new gallery space in Hackney Wick to raise funds for The Big Issue so they can continue to do more of the amazing work they already do. The generosity of the team at The Big Issue has been amazing.”

    Russell Blackman, MD of Commercial, said: “We are extremely grateful to Real Hackney Dave, and all the contributing artists, who have created works for this exclusive art special edition of the magazine. The JUST BE NICE theme perfectly encapsulates our ethos at Big Issue Group. We really hope you enjoy this special edition as much as we do!”

    The glitter JUST BE NICE images come in four versions. There are 80 of each and they cost £60. Size 300mm x 210mm. The world map version seen on this week’s cover is a limited run of 250 prints, costing £125. Size 625mm x 550mm.

    The works seen in this supplement will be on show in a new gallery space in Hackney Wick later this month, and then on sale to raise money for The Big Issue. For further details visit www.realhackneydave.com at the end of this month.

    You can purchase the special edition of the magazine from your local vendor, or you can buy a subscription online: www.bigissue.com/subscribe/

  • Harper’s Bazaar Women of the Year Awards return

    Harper’s Bazaar Women of the Year Awards return

    The ceremony will take place on Thursday 10 November 2022 at one of London’s most iconic hotels, Claridge’s.

    Launched in 2007, the Harper’s Bazaar Women of the Year Awards recognise the outstanding achievements of women in the worlds of fashion, film, art, music, philanthropy, activism, and literature. Winners will be named in categories including Actress, Icon, Inspiration, Artist, Writer, and Breakthrough. Previous winners include Claire Foy, Cynthia Erivo, Phoebe Dynevor, Jodie Comer, Lashana Lynch, Victoria Beckham, Jodie Foster, Chimamanda Ngozi Adichie, Kylie Minogue, and Keira Knightley.

    Lydia Slater, the editor-in-chief of Harper’s Bazaar, says: “Harper’s Bazaar has a long-standing commitment of championing exceptional women ever since the first issue was published in 1867, and we are delighted to come together once again with Armani beauty for our annual Women of the Year Awards”.

  • Industry support enables NewstrAid to host Carol Concert for the 30th year

    Industry support enables NewstrAid to host Carol Concert for the 30th year

    This annual event will take place at St Bride’s Church, Fleet Street on Monday 5th December at 6.45pm and will be followed by drinks and mince pies at the Bridewell Foundation next door.

    Neil Jagger, CEO for NewstrAid, said: “When our first Carol Concert took place back in 1993, I doubt the organisers imagined that it would still be going strong 3 decades later! This year’s event is only possible thanks to some fantastic support from newstrade businesses for which we are extremely grateful!”

    He added: “This event brings the whole industry together to celebrate the start of the Festive season and is the perfect way to kick off Christmas whilst also helping NewstrAid to raise some money to support colleagues in need.”

    The evening will include carols and Christmas music from the St Bride’s Choir along with seasonal readings by colleagues from the industry and some festive refreshments. Tickets cost £20 (£14 concessions) and can be booked by emailing georgia@newstraid.org.uk

    For the first time, tickets for the NewstrAid Christmas raffle will be available in advance of the event so that anyone who is unable to attend on December 5th can take part. Full details of how to buy a ticket and the prizes on offer can be found at www.justgiving.com/fundraising/newstraidxmas

  • The Elf on the Shelf magazines are back ahead of the festive season

    The Elf on the Shelf magazines are back ahead of the festive season

    The Elf on the Shelf magazine allows readers to fully immerse themselves with stories, games, puzzles, competitions, and more. Every issue comes with a bauble to decorate, plus three surprise gifts to unbox.

    “We’re thrilled to once again partner with Rocket Licensing and The Lumistella Company on the fantastic brand and tradition The Elf on the Shelf,” said Signature Publishing’s Publishing Director Chee-Mann Chan.

    “After many previous successful years, we know that The Elf on the Shelf fans will be eagerly awaiting their new issues. Creating the magazines has been an absolute joy, the contents complement each other perfectly, with both capturing the wonder and the excitement of the brand, as well as the cheekiness of the Elves. There is no doubt these much-anticipated new issues are our best one’s yet!”

    Both magazines are available to buy now.