Author: Gareth Jones

  • Three steps to maximise your data value

    Three steps to maximise your data value

    In light of the third-party cookie’s demise – when it comes, the return of ‘Context is King’ presents great opportunity for publishers due to the unique audience data from the rich and unique communities they serve. However, this is an opportunity that is seriously threatened by what we refer to as unlicensed data extraction.

    What could happen?

    Unlicensed data extraction is the act of extracting and exporting data from publisher websites without the publisher’s permission and very often without their knowledge. Where this tends to play out is when third parties – for example an ad exchange, DSP, SSP or data aggregator – takes this data from the publisher with no form of value-exchange.

    There are many types of data at risk of extraction – from consumer identifiers like User IDs, through to publisher IP in the form of content metadata – with third parties obtaining these in many different ways, such as through cookies and pixels being dropped on sites, collecting and mapping data points from advertising bid requests, or more blatantly from bots sent to scrape pages for their content.

    Data extraction is bad news for publishers. The data value created through your close relationships with readers will be used to fuel the growth of other organisations. And, as if that’s not enough, you will most likely find yourself competing with these organisations for advertiser spend, ultimately seeing your data valued way below what it would be worth if it was fully in your control.

    Taking back control

    There are three steps you should take to ensure the value you create from your data is retained with your business

    1. Make control a strategic imperative

    Publishers must reset how they think about digital advertising – with future focus being on the simple operating principle of being in unilateral control of your supply chain. This will ensure intermediaries and third-parties are not able to dictate terms of trade when it comes to your data assets. Where removing all ad tech code from your page and turning off open market programmatic overnight will likely cause a drop in revenue, a more pragmatic path is one of iterative change which also protects revenue

    2. Invest in publisher technology

    Seek out technology that is designed to help you a) take control of your digital business and b) retain as much value as possible within your organisation. While trusted publisher tech is incredibly helpful as a vehicle for change and will inevitably have immediate impact, it’s important to remember it will only reach its full potential when deployed in line with the strategic shift as described above.

    3. Activate practical measures today

    Before putting in place longer term protections, there are a number of tactics that premium publishers can deploy today in order to retain an upper hand in data conversations with partners. These include, but are not limited to:

    • auditing and, where necessary, removing tags from third-party script on your pages
    • removing data points from bid requests that don’t return revenue, while retaining those that do
    • auditing the consent permissions you have with vendors and remove permissions for those you don’t have direct relationships with
    • blocking user agents (such as crawlers) from accessing your pages, with communications to non-permissioned vendors
    • opting out of intermediaries’ multi-publisher packages that can often act as an activation channel for unlicensed data

    While many of these steps – both strategic and tactical – will require a level of technical thinking, a simple starting block is to be vocal and clear in your expectations of ad partners. Ask them what measures they have in place to ensure the data used in transactions isn’t made available to others through their platform. Make sure your data gain doesn't turn into data pain.

    For more on the topic of data extraction, please see The Ozone Project’s full white paper available here.

  • Marie Claire UK and Avon partner for new podcast series

    Marie Claire UK and Avon partner for new podcast series

    Hosted by Marie Claire’s Editor in Chief Andrea Thompson, the podcast features five women from the worlds of media, beauty and business who share their positive experiences of life after 40.

    They are: broadcaster and campaigner Anna Whitehouse (AKA MotherPukka); published author and powerlifter Poorna Bell; Olympian, life coach, and personal trainer Michelle Griffith-Robinson OLY; winemaker and business leader Ntsiki Biyela; and award-winning Avon business owner Katie Joynson.

    The podcast launch follows research by Avon that shows that two thirds of women globally feel their confidence is improving as they age (67%) and that ageing is not something to fear (63%).

    Andrea Thompson, Editor in Chief of Marie Claire, said: “We’re delighted to be partnering on a campaign that challenges stereotypes around ageing and celebrates women as they really are.

    “This series showcases five incredible women who are redefining what life looks like after 40 and are genuinely excited and emboldened by the idea of getting older.”

    The Power in Ageing podcast series is available on Spotify, Apple Podcasts, Amazon Music and other podcast platforms.

  • British Vogue unveils Munroe Bergdorf as contributing editor

    British Vogue unveils Munroe Bergdorf as contributing editor

    The model and activist recently appeared on the cover of the Condé Nast title’s August issue celebrating LGBTQ+ stars.

    With an audience of over a half a million on social media, Bergdorf will use her new role at British Vogue to continue her work amplifying marginalised voices, offering insight and instruction on feminism, diversity and LGBTQ+ topics.

    For her first piece, Bergdorf writes about the importance of fashion to societal evolution as well as its place in her own personal journey.

    She said: “To me, fashion is a reminder of what possibilities may lay ahead for us, especially those of us of marginalised experiences.

    “One of the only industries consisting largely of women and gay men in decision making roles, fashion can help us make sense of our feelings, to express ourselves in a way that surpasses the limitations of human language, to stand in solidarity with those facing injustice, to collectively mourn in the wake of a global crisis, to celebrate the hope of a world beyond the limitations and prejudices of our own.”

  • Good Housekeeping UK refreshes line up for rescheduled live event

    Good Housekeeping UK refreshes line up for rescheduled live event

    Nationwide train strikes forced the postponement of the event in June, and it will now take place from 14 – 15 October 2022 at 10-11 Carlton House Terrace in London.

    Attendees will be offered a mix of inspiring talks, cookery demonstrations and afternoon teas, providing an environment “to learn, connect and relax”.

    It features speakers from the worlds of food, fashion, beauty, technology, travel and finance, including Davina McCall, Nadiya Hussain, Ruth Jones, Monica Galetti, Louise Minchin and Lucy Worsley as well as Strictly Come Dancing stars Shirley Ballas and Anton Du Beke and literary icons Jojo Moyes and Anthony Horowitz.

    British technology brand Dyson, the event’s headline sponsor, will be creating a Healthy Home AR experience as well as a ‘Wall of Fame’, which will display Good Housekeeping Institute recommended products in a state-of-the-art demonstration space.

    Dyson will also host a talk on how to create a healthy happy home, featuring UK mental health ambassador Dr Alex George, organisational expert and star of the BBC show ‘Sort Your Life Out’ Dilly Carter, and a Dyson microbiologist.

    Additional supporting partners include Absolute Collagen, Zoflora and Phase Eight.

    Sharon Douglas, Chief Brand Officer for Lifestyle, Homes & Weeklies at Hearst UK, said: “We can’t wait to welcome our loyal audience to the inaugural Good Housekeeping Live with a refreshed, talent-rich agenda.

    “We’ve been working closely with our headline sponsor, Dyson, and supporting partners to create an event that is inspiring, informative and most importantly, reflective of the brand’s 100 years whilst looking towards its exciting future.”

  • Publishers pay tribute to Her Majesty The Queen

    Publishers pay tribute to Her Majesty The Queen

    Radio Times

    The Queen graced the magazine's cover more than anyone else, and this gallery showcases some poignant examples, going back to her first portrait cover in 1940.

    Vogue

    Having first appeared in the pages of Vogue in 1927 aged just one, Queen Elizabeth featured in the the title many more times over the years, as this retrospective of rare archive images shows.

    Country Life

    Having previously been guest-edited by King Charles III and also Camilla, The Queen Consort, Country Life marked the death of the Queen with a 32-page tribute in its latest issue.

    Grazia

    Further to its online tribute, the Bauer Media title published a special 84-page tribute to Queen Elizabeth II’s life, style and legacy.

    HELLO!

    A 116-page special edition that pays tribute to Queen Elizabeth II through iconic photographs and exclusive reports.

    ELLE

    A retrospective of The Queen's fashion legacy, charting her enduring sense of style over the decades.

    Gardeners' World

    A personal reflection on The Queen from contributor Alan Titchmarsh.

    

    Good Housekeeping

    An obituary of Queen Elizabeth from journalist Penny Junor, who has written several books about the Royal Family.

    If you would like to share any other examples of content paying tribute to The Queen, please get in touch by email.

  • PPA statement on the death of Her Majesty the Queen

    PPA statement on the death of Her Majesty the Queen

    The passing of the Queen has deeply saddened the specialist media industry, and the entire sector will be wishing the Royal Family our sincere condolences at this difficult time. The Queen’s steadfast dedication to public service was an inspiration to millions, in the UK and around the world, and our sector will pay tribute to her life in the days and weeks to come.

    

    _Original: Joel Rouse/ Ministry of DefenceDerivative: nagualdesign, OGL 3, via [Wikimedia Commons_](http://www.nationalarchives.gov.uk/doc/open-government-licence/version/3)

  • 60 seconds with David Russell

    60 seconds with David Russell

    What does it actually mean to be an Associate Marketing Director?

    My job is to get content to the end user. I come up with crazy ideas and execute them via digital and traditional marketing activities. I am continually monitoring data, trends and the industry so that I can improve our customer experience and provide our users with the latest and most relevant content.

    How did you get into it?

    The creativity, psychology and strategy behind marketing has always excited me. Apart from marketing and food, I’ve always loved reading, and the idea of connecting people who create content with people who need that content meant that publishing was always the natural fit.

    I was adamant that I would have a job in publishing fresh out of university and have been lucky enough to work in the industry (predominantly) since graduating in 2014. I did make the mistake of taking a job in insurance a few years ago – let’s just say that marketing numbers is nowhere near as invigorating as marketing magazines and journals!

    What do you love most about your job?

    We’re a diverse bunch of thinkers: I’m a digital marketer, brand strategist, data analyst and have to deliver on all things subscriptions, user behaviour, insight, content, CRM, UX and PR. It’s a lot but we share our knowledge and foster a culture of curiosity and mutual support to provide the best service to our customers, and also to develop our skills as forward-thinking marketers.

    At the moment I’m particularly enjoying how the delivery of content is shifting to meet the varying needs of end users and how they choose to consume content. It’s no longer only magazines and journals but events, video, AR, podcasts, social media, email, community sites, and then the real fun starts – we analyse all these different mediums so we can continue to optimise the delivery of our content.

    What’s currently inspiring you at work?

    I know this is an opportunity for me to say how great the people I work with are (and they really are) but as a marketer, I’m inspired by data! What you can do with it, what you can learn from it, and how it can be turned into actionable outcomes based on evidence – the opportunities are endless. Can you tell I’m a very proud data evangelist?

    What’s happened since you were named one of the PPA 30 Under 30 in 2021?

    Receiving recognition from the PPA for my work in marketing has been amazing and opened so many doors professionally. I’ve been able to deliver sessions on marketing best practice in publishing, met so many inspiring industry leaders, and I was promoted shortly after receiving the award – it’s been a great year!

    How would you recommend our sector to someone at school/college thinking about what to do next?

    Come and join the fun!

    It’s an industry where we encourage risk taking and testing so that we can learn often from mistakes and optimise every output.

    No two days are the same and you must be prepared to adapt and learn as publishing is constantly changing. Ultimately, you’ve got to be a team player – putting together a publication involves lots of different teams and stakeholders who are all experts that you can learn from to develop your career further.

    What magazine titles did you read when you were younger?

    My mum’s copy of Vogue – I was part diva and part nerd and loved Marvel comics too!

    Other than the title you work for, what’s your current magazine content go-to and why?

    There are so many… Campaign magazine, Insider, Pink News, Marketing Week, The Economist, The Wall Street Journal and The Athletic. These companies continue to effect real change in the publishing industry by leading from the front with innovative initiatives and leaders such as Sinead Bunting, Spriha Srivastava and Gideon Spanier to name a few!

  • Readly offers Lidl shoppers access to digital magazine subscription

    Readly offers Lidl shoppers access to digital magazine subscription

    The partnership is the latest in a series of high-profile brand collaborations for Readly and a strategic move to bring its broad portfolio of titles to grocery customers.

    The offer is available to Lidl Plus rewards app customers, who will receive 15 per cent off the monthly subscription price for six months after the free trial period.

    Marie-Sophie von Bibra, Chief Marketing Officer at Readly, said: "The grocery sector is taking important steps in digitising the way of shopping as well as their product offerings, which for us offers an exciting different way of attracting new users to our platform.

    "We know from our data that customers appreciate being introduced to digital offers through brands they trust and have shopped with for a long time, and Lidl has that strong brand trust and large, loyal customer base."

    Readly’s partnership portfolio already includes high-profile UK and global brands across the travel, retail and finance sectors, including Barclays, Diet Coke, Samsung, Three and TUI.

  • heat partners Daft Doris to launch entertainment news podcast

    heat partners Daft Doris to launch entertainment news podcast

    The heat 7 launches on 5 September, with new episodes every Monday to Saturday at 7am. It aims to provide listeners with the seven biggest stories from the world of entertainment, showbiz, reality and social that day in under seven minutes.

    heat said the podcast will adopt the magazine’s cheeky tone of voice and include audio excerpts from exclusive interviews and events. It will be presented by Bauer Media’s Lucie Cave and Eden-Olivia Lord, Deputy Editor of heat digital.

    Lucie Cave said: “This is super exciting and a natural evolution for the heat brand in the digital audio space. It’s going to be the must-listen podcast for pop culture lovers everywhere and the beauty of it is that it will be delivered to your ears by 7am all in seven minutes!"

    Jamie East, presenter, broadcaster and co-founder of The Smart 7, added: “The union of The Smart 7 and heat made perfect sense and we just know people are going to love what we’ve created.

    "We’re also looking forward to carrying the conversation across to Twitter Spaces where we can get under the skin of the heat stories that really matter to the nation. We will be a vital public service, a bit like the NHS if the NHS cared about The Masked Singer.”

  • Haymarket's What Car? sets electric car world record in European tour

    Haymarket's What Car? sets electric car world record in European tour

    The record road trip covered 14 countries in a 2022 Porsche Taycan, starting in the Netherlands and ending in Serbia.

    The unmodified Porsche Taycan (Performance Battery Plus) was chosen for the challenge required seven charge stops at ultra-rapid 350kW Ionity chargers along the 1199-mile journey.

    Aside from these brief charge stops, the pair drove the Taycan non-stop for 24 hours, passing through Belgium, Luxembourg, France, Germany, Switzerland, Lichtenstein, Italy, Austria, Slovenia, Croatia, Hungary and Bosnia.

    Neil Winn, Deputy Reviews Editor for What Car?, said: “The European road trip has an electric future. Our epic journey has shown that the rise of electric cars doesn’t mean a mega-mile cross-continental holiday is off the cards."

    Steve Huntingford, editor of What Car?, added: “We hear a lot from our readers about electric car charging problems, range anxiety and general trepidation over long-distance journeys in some electric cars. But this outstanding record-breaking run shows that the European road trip should live long into the electric future."