Author: Gareth Jones

  • People magazine among clutch of US titles to join Readly

    People magazine among clutch of US titles to join Readly

    Chris Couchman, Head of Content in the US, said Readly was proud to offer readers access to "some of the most known and trusted titles in the USA" via the platform.

    He added that Readly would look to strengthen its US presence on the back of this move through ramped up PR and marketing efforts, but that the immediate focus was on putting Readly in the hands of more US consumers as well as readers in the UK and Australia.

    Couchman said: “For publishers, our growing datapool of over 40+ billion data points gives them a deeper understanding of reader behaviour which enables them to become more data driven in their approach to maximising global readership and developing their business.

    "We are delighted to have more US publishers experience this unique dataset with an international lens.”

    The 23 US titles added to Readly are:

    All Recipes

    American Patchwork & Quilting

    Better Homes & Gardens

    Coastal Living

    Cooking Light

    Country Home

    Do It Yourself

    Food & Wine

    LIFE

    Magnolia Journal

    Midwest Living

    People

    People Royals

    Real Simple

    Southern Living

    Traditional Home

    Travel + Leisure

    Wood

    EatingWell Special Collection

    Entertainment Special Collection

    Health Special Collection

    InStyle Special Collection

    Shape Special Collection

  • Haymarket signals audio market intent with Podcast Awards acquisition

    Haymarket signals audio market intent with Podcast Awards acquisition

    The deal makes Haymarket the owner of the British Podcast Awards, Australian Podcast Awards and the Irish Podcast Awards.

    It will also become a partner in Podcast Day 24, a 24-hour non-stop global podcasting conference with live events in Sydney, London and ending in New York.

    The Podcast Awards brands will initially sit within Haymarket Business Media’s marketing communications portfolio, which includes Campaign and PRWeek. Kevin Costello, Chief Executive at Haymarket, highlighted that there are already plans to launch a Podcast360 event as part of the Media360 annual suite of conferences.

    Costello said: “This investment reinforces our position in the rapidly growing audio space. We have seen the success of our own audio brands, including the Campaign Podcast, PRWeek Podcast, Third Sector Podcast, Rheum Advisor on Air and GP Online Podcast, and with our experience in the awards space, the addition of the Podcast Awards makes for a perfect fit.”

    The British Podcast Awards were established in 2017 by co-founders Matt Deegan and Matt Hill, who later took on the Australian Podcast Awards in 2019 and the Irish Podcasts Awards in 2022. In 2021, they partnered with Radiodays Europe to create Podcast Day 24, which brings together creators, advertisers and platforms from all across the world to share ideas, knowledge and best practice.

    Speaking about the partnership, Matt Deegan, co-founder of Podcast Awards Ltd. said: “Having run the Awards since 2017, it was important to find the right partner that empowered us to continue to cater to podcast creators big and small and promote all the great work they do. We have definitely found that with Haymarket. Its global presence allows us to accelerate growth, be more ambitious and get creative with opportunities that until now have been out of reach.”

  • TV Choice Awards to make return as live event

    TV Choice Awards to make return as live event

    Bauer Media said the awards will be held at the London Hilton on Park Lane on 14 November, honouring the nation’s favourite TV shows and stars.

    Winners of the TV Choice Awards are voted for exclusively by readers and viewers. Voting is open at www.tvchoicemagazine.co.uk until midnight on 24 June and the shortlist will be announced in August.

    2021 saw Netflix smash Bridgerton scoop Best New Drama and Gogglebox/Celebrity Gogglebox win Best Entertainment Show while Coronation Street took home a total of three awards: Best Soap, Best Soap Actor and Best Soap Actress.

    Jon Peake, Group Editor of TVChoice & Total TV Guide, said: "We’re thrilled to have the awards back as a live event again, and we look forward to honouring the best TV of the year in person."

  • PPA represents UK publishers at FIPP Congress 2022

    PPA represents UK publishers at FIPP Congress 2022

    The FIPP Congress always promises to host world-class speakers and the chance to connect with a plethora of inspiring figures in global media, and after nearly three years away all attendees were raring to go as we descended on the Portuguese coastal town of Cascais.

    FIPP CEO James Hewes opened the event with a call for businesses to be proud of their magazine heritage, and to celebrate the medium as an element of increasingly diverse business models. Yulia Boyle, FIPP’s first female Chair, followed with an address that highlighted equal representation, member value, inclusive content, and innovation as her key priorities for the organisation.

    Other highlights included a talk given by Ralph Buchi, Chairman of the Axel Springer Supervisory Board, who warned that perpetual innovation is now necessary in the digital media age. He stated: ‘It would be very risky to think that we have done digital transformation now and that’s that. We have to be prepared for the next one.’

    Juan Señor and Inês Bravo, authors of the Innovation in Media Report 2022/23, told the assembled media businesses that the phase out of third-party cookies is a great opportunity. The duo emphasised that first party data strategies should now boost subscriptions and advertising revenues in concert, rather than the two revenue streams being at opposite ends of a spectrum.

    The insights and tips gleaned from the whirlwind two days were simply too numerous to mention here. However, despite the superb content on show, it was perhaps inevitable after so long apart the informal connections and chance encounters were the true highlights of this gathering of global media.

    For an overview of the opening day's speeches at FIPP World Media Congress, click here.
    For a report on five key takeaway trends from the event, click here.

  • Double win for Evessio in the Event Technology Awards

    Double win for Evessio in the Event Technology Awards

    PPA associate member Evessio were the big success story of the inaugural Event Technology Awards – The People 2022 this week, bringing home two out of the three awards they were shortlisted for.

    The who’s who of event industry professionals from across the globe gathered digitally on June 8th 2022, to celebrate the movers and shakers of event technology, recognising those who have made outstanding contributions, with individuals, founders, teams, and technicians in the sector.

    The people -focused offshoot awards programme was created to celebrate the 10th Anniversary of the Event Technology Awards, with a spotlight on the talent behind the tech.

    Nominees included individuals and teams on the cutting edge of event tech and true event technologists, who are helping to find solutions and rewrite the blueprint for traditional problems facing the industry.

    The big winners of the evening were Evessio, who scooped two awards winning Best Customer Support Team and Best Account Manager for Gayle Mackail.

    Commenting on the award win Gary Clement, CEO from Evessio said, “Customer Service is at the heart of everything we do here at Evessio. Our mantra great technology, great people and great service is central to how we operate as an organisation. I’m incredibility proud that our team have won the Best Customer Support Team award to be recognised for all their hard work, dedication and most importantly how they help and support our customers is invaluable to our success. Well done.”

  • Media Entrepreneur Meetup Community expands to specialist and passion-led media owners

    Media Entrepreneur Meetup Community expands to specialist and passion-led media owners

    The Media Entrepreneur Meetup is a global group of 400+ Founders and CEOs of independent media, events and information companies. The new b2c Media Entrepreneur Meetup community has been created for business owners in specialist, passion-led and consumer media, events and that interesting place where influencers, communities and publishing converge.

    “We began hosting the Media Entrepreneur Meetup because, having launched, built and sold businesses ourselves, we saw how important it was for entrepreneurs to share ideas, support each other and network in person and virtually,” said Piers Bearne, Co-host of the Media Entrepreneur Meetup. “It’s been fantastic to see the community grow to over 400 members who have the opportunity to regularly meet and connect with their fellow Founders to discuss the issues that are most important to them. Particularly during the pandemic, we saw how supportive and valuable this community is.”

    ‘It’s such an exciting time for specialist media with new technologies and formats opening up a mix of revenue opportunities” said Andrea Davies. “These business owners are united by their drive to connect their audience with their passion. We are definitely seeing a shift from the single business model to a more diverse playbook and with that, convergence across specialist media as business owners look to deepen their engagement with their audience and provide more meaningful interactions for commercial partners. The Meetup will provide an opportunity for CEOs and Founders to discuss issues and share strategic insight as they navigate a rapidly changing landscape of new technologies, data and content analytics practices”

    The first b2c Media Entrepreneur Meetup will take place on 15th June 2022, 17.30-19.30 at The Boudoir Bar, Bar Soho, 23-25 Compton Street, London, with a stellar line up of special guests including Oswin Grady, Publishing Director at Kelsey Media; Mike Seaman, Founder and CEO at Raccoon Events; and Nicole Cooper, Managing Director at Touchpoint Live Media.

  • Krystal Lake | PPA 30 Under 30 Winner | Influencer

    Krystal Lake | PPA 30 Under 30 Winner | Influencer

    Chart your career from the start to now.

    I still can’t get over that my TikTok experiment during lockdown led to me having over half a million fans on TikTok. So many people and life interests lead e to where I’m at now. Before I was an influencer I used to lead video teams for different companies, such as NBC and PinkNews. I learned a lot about how to create viral content when I was working at UNILAD, which was the biggest media publisher on Facebook during the time I worked there. Then I learned a lot about news and what’s “allowed” on news and what is not (we can blame misogyny and racism for a lot of the material that isn’t allowed on the news or certain social media platforms.) At one point I was tired of being limited to what I can say or create when working at my corporate job, so decided I’m going to talk about real news, real history, and real problems on my own channel. I’ve always loved cracking algorithms, connecting with people, and discovering more about “the stuff schools don’t teach” which reflects my life and those around me, like queer topics, minority, women, and mental health topics, so the influencer path seemed naturally fitting.

    You have recently been added to the Forbes 30 Under 30 list – what was it like to receive this accolade?

    I am still processing it. The first thing I thought was “WHAT? HOW DID THEY FIND ME?” I’m currently on a Forbes summit right now and I am surrounded by so many geniuses and people who are literally changing the world. That award was a reminder to keep on doing what I’m doing. I’m not going to lie, sometimes it feels lonely and closed off, because I don’t actually see my supporters in real life when I’m creating content. I’m typically at my desk – make a video, and hit post. I don’t see the smile forming on people’s faces, or experience the hug after watching one of my videos, I usually see a “virtual like,” which is amazing as well but that in-person experience hits different. Actually seeing the support in real life and hearing “wow your videos changed how I view myself” feels so great. I forget that I have an audience sometimes because the virtual world can feel empty or like it’s not real. Seeing pages and people that I look up to, talk about my work fills my heart.

    What advice would you give to someone wanting to pursue freelancing in this industry?

    Trust yourself. Freelancing is all about believing in yourself to follow your dreams rather than following your dreams through a company which may add a few restrictions to your work. It might be hard at first and it’s a constant hustle to stay on top of your game, but you’ll love that constant hustle because you’re building the blocks to continue living your dream, or to reach your dream. Become aligned with what you want to do and go for it. I started my freelance work as a side hustle because I needed stable income from my corporate job, but at one point your side hustle will prove to show that it can be your main hustle and that’s when you should break free and focus all your energy on building yourself up as a freelancer. You got this.

    You have 500k followers on TikTok – what makes you excited about this platform? How do you learn the tricks of the algorithm?

    TikTok is one of the most accepting platforms out there. I feel seen as a queer, black woman because there are so many tight-knit communities on TikTok. I feel so grateful that I can teach people to love themselves and I can teach others how to be a great allies and foster a community on my platform with people of different backgrounds. Cracking algorithms all boil down to understanding your audience and learning how to tell a good story. I’ve always loved understanding algorithms because it helps me understand people and the way we think, and what influences us to think the way we do. I started learning about how to decode algorithms through my old job at UNILAD, everything was focused on viral content. At one point I started to realise that it wasn’t all about machines and bots trying to feed us content, I started to realise that the viewer is really in control of how these algorithm patterns work, it’s all about understanding people. I’ll go on forever on this topic because I really nerd out about it, but long story short, I love understanding people and connecting with people and social media is the hub of connection, and that’s why I fell in love with social media and understanding algorithms.

    Where do you find inspiration for content?

    My life. Literally. I dig into topics that once hurt me and think “why did that hurt me?” 9 times out of 10 it boils down to hatred that was taught by media, schools, or society. This led me to create content such as: What is colorism, why do women shave, or queer heroes that your history book hid from you. I also think about chats that I would have with friends, and what they experience. A lot of my content also comes from reading what my followers deal with. I feel like my mind questions everything, so instead of keeping it all in my head, I make videos for others who are just as curious as me.

    What magazine do you stockpile?

    I have a few! Bricks Magazine, Salty, GUAP, DAZED, and Diva magazine. These magazines lift up so many minority voices and their communities are strong as hell! I love it!

    What’s on your radar?

    I have a series dropping soon in collaboration with TikTok, called Stereotypes. I’m excited and nervous at the same time haha. I’ll have guests on the show and we’ll be discussing what stereotypes they go through and how to break them so stay on the lookout for that! I’m hoping to change lives and minds with this project so I hope it does well.

  • Acast appoints new Programmatic Automation Manager, Dimana Zaharieva

    Acast appoints new Programmatic Automation Manager, Dimana Zaharieva

    Dimana will lead the UK and Ireland Acast Automated team at a time when more brands and agencies are looking to streamline their ad-buying process through programmatic. According to a recent survey by Acast, 60% of marketing professionals believe programmatic ad buying will become even more relevant over the next few years — and, for Acast, programmatic was the fastest-growing buying channel in 2021.

    Dimana Zaharieva, Programmatic Automation Manager, UK & Ireland at Acast, said: “Acast has been the leader in podcast ad tech — and particularly programmatic — for several years now, and I’m looking forward to working with some of the brightest minds in the industry. My experience will help us collaborate on new creative projects and ideas, ensuring we keep Acast at the forefront of the podcast for many more years to come.”

    Michael Bayton, Global Automation Director at Acast, said: “When it comes to ad buying, Acast is the most innovative audio company around — and Dimana is here to lead our programmatic and automation work in the UK and Ireland. Her passion and experience will ensure Acast continues to evolve, helping solidify our position as the number one podcast ad marketplace worldwide.”

  • Acast appoints new Programmatic Automation Manager, Dimana Zaharieva

    Acast appoints new Programmatic Automation Manager, Dimana Zaharieva

    Dimana will lead the UK and Ireland Acast Automated team at a time when more brands and agencies are looking to streamline their ad-buying process through programmatic. According to a recent survey by Acast, 60% of marketing professionals believe programmatic ad buying will become even more relevant over the next few years — and, for Acast, programmatic was the fastest-growing buying channel in 2021.

    Dimana Zaharieva, Programmatic Automation Manager, UK & Ireland at Acast, said: “Acast has been the leader in podcast ad tech — and particularly programmatic — for several years now, and I’m looking forward to working with some of the brightest minds in the industry. My experience will help us collaborate on new creative projects and ideas, ensuring we keep Acast at the forefront of the podcast for many more years to come.”

    Michael Bayton, Global Automation Director at Acast, said: “When it comes to ad buying, Acast is the most innovative audio company around — and Dimana is here to lead our programmatic and automation work in the UK and Ireland. Her passion and experience will ensure Acast continues to evolve, helping solidify our position as the number one podcast ad marketplace worldwide.”

  • ELLE UK partners with Nike for ‘Everyone’s Game’ campaign to celebrate the UEFA Women’s EURO 2022 Championship and recognise the people driving change both on and off the pitch

    ELLE UK partners with Nike for ‘Everyone’s Game’ campaign to celebrate the UEFA Women’s EURO 2022 Championship and recognise the people driving change both on and off the pitch

    The campaign, which celebrates football at all levels, is brought to life with three limited-edition ELLE UK covers featuring inspiring women who are leading change in the sport to create the future of football, both on and off the pitch, including:

    – Four players from the England Women’s national football team – Lucy Bronze, Demi Stokes, Lotte Wubben-Moy and Beth Mead

    – Chelsea F.C. Women and Denmark national team captain, Pernille Harder and Chelsea F.C. Women captain and Swedish national team player, Magdalena Eriksson

    – Somali-born and England FA football coach and referee, Jawahir Roble

    The limited-edition issues will be distributed on newsstand, at the first England game at Old Trafford on 6 July and in selected Nike stores including Nike Town London (Oxford Street). A mural and billboard of one of the limited-edition ELLE UK covers will also be unveiled on Camden High Street, London.

    The July/August issue of ELLE UK, on sale today, includes a striking 16-page feature written by Felicia Pennant, Founder and Editor-in-Chief of Season Zine, a trailblazing football and fashion platform, and a fashion shoot with a host of England’s players styled in Nike clothing and the new England National Team kit, which will be worn during the tournament.

    As part of the collaboration, director Lydia Garnett and Oscar-winning production company, Somesuch, have created a bespoke film which aims to celebrate the growth of, and inclusivity in, women’s football. The film features prominent figures including players from the England Women’s national football team, football education charity Football Beyond Borders Project Lead, Roya Mehdizadeh-Valoujerdy, the Co-Founder of Level 7 Academy and TV Presenter, Mollie Kmita, and young players from Girls United and Bloomsbury Football with the hope of inspiring future generations. The video is live on ELLE UK’s website and social media channels, and will be showcased in the Nike Town London, store.

    Jane Wolfson, Chief Commercial Officer, Hearst UK, says: “ELLE has a long history of championing women, so we are thrilled to partner with Nike on this inspiring multi-platform EURO 2022 project to celebrate the Women’s EURO 2022 Championship being held here in the UK as well as shining a light on all those striving for change in the game. From world-class players to grassroot communities, the partnership aims to open up football to people at all levels and from all backgrounds.”