Author: Gareth Jones

  • 1854 Media crowdfunds its new visual content agency

    Studio 1854, the company’s rapidly growing new visual content agency, commissions visually arresting and narrative-led content for clients. It also creates paid opportunities for the BJP’s community of photographers to produce new work.

    1854 Media has reported a 234% year-on-year increase in digital advertising revenues – driven by Studio 1854.

    “Brands are spending more on digital advertising than on any other channel. Print media advertising has been hit particularly hard. The media companies that are surviving these changes are those who are figuring out new ways to monetise their content expertise, without compromising on the quality of their output. We have succeeded in doing this through our new creative agency, Studio 1854,” commented Marc Hartog, CEO of 1854 Media.

    After a management buyout of British Journal of Photography, led and financed by Hartog, 1854 Media was founded.

    Investors will own a part of 1854 Media, with investments starting at £100 with no upper limit.

    Simon Bishop, Co-Founder and Partner at RBB Economics, will be joining the company’s Board of Directors.

    Visit the Crowdcube page here. Since the crowdfunding campaign launched yesterday, 1854 Media has already raised £519,760 of its £400,000 target, with 200 investors so far. The company is Enterprise Investment Scheme approved.

  • Time Inc. UK to rebrand as TI Media

    The news of Time Inc. UK rebranding to TI Media follows on from the company being acquired by private equity firm Epiris LLP from Meredith Corporation in March 2018.

    Marcus Rich, Time Inc. UK CEO, said: “We are proud of all we have achieved as Time Inc. UK over the last four years and, before that, as IPC Media over many years. While we wanted our new name to speak to that successful past – with the T of Time Inc. and the I of IPC – we also wanted it to be adaptable to suit the ways we will evolve and look to extend that success under our new ownership. We are now looking forward to exploring those new opportunities as TI Media.”

    Sir Bernard Gray, Executive Chairman, added: “As a company, TI Media is proud of its past and confident of the future. Our new name opens the next chapter of our story with familiarity and new energy.”

    Time Inc. UK’s 40-plus brands reach 16.4 million UK adults monthly across print and digital. Its portfolio spans a range of interest areas, from entertainment and women’s lifestyle, to luxury, sports and technology.

    Its titles include: Woman’s Weekly, Country Life, Ideal Home and Trusted Reviews, as well as specialist titles Decanter, Wallpaper*, Cycling Weekly and Horse & Hound. Its entertainment titles, including What’s on TV and TV Times, sell more than a million copies each week.

    In connection with the rebranding, Time Inc. UK will change its legal name to TI Media Limited, also effective from June 11.

  • Under the Radar with Melanie Sherwood

    Under the Radar with Melanie Sherwood

    What made you want to work in the magazine industry?

    It was never actually my aim to work in the magazine industry – I have a degree in Drama Studies and English Lit, and spent much of my formative years working backstage in theatres. For the vast majority of my university days, I was working toward the goal of becoming a Theatre Manager, but at some point in my last year one of my English lecturers suggested I try looking at careers in publishing as well as theatre, and the first job I was offered just happened to be on a wedding magazine. The fact that I really enjoyed it was a wonderful coincidence – and the hours are much better (as is the pay!) in publishing.

    Can you chart your journey from when you started out to your current position?

    I started out as Editorial Assistant on Perfect Wedding magazine, then I spent two years on a craft title before moving onto Immediate Media’s bookazine team as a Production Editor. That was a hectic role – a team of seven produced 26 titles a year for brands such as BBC Wildlife, Focus magazine and BBC History. One of those titles was an entry-level history bookazine, which was such a success that Immediate decided to launch a new monthly mag: History Revealed (though I still believe it should have been called Epic – a much stronger name). After a couple of years as History Revealed’s Production Editor, I moved onto Homes & Antiques as the Deputy Editor, and then I was promoted to Editor just before Christmas last year.

    Do you have a go-to work outfit?

    Not really, but as a general rule I like to keep it simple. Now that it’s spring I love to wear a sassy tee with a midi skirt, or a loose shirt with skinny jeans – and sneakers, whenever I can get away with it.

    What do you turn to when you’re on deadline – tea/coffee/snacks?

    Tea and snacks really help me cling to my sanity through a stressful deadline. We often brag that Homes & Antiques has one of the best snack tables in the office. Right now, I can see a pack of brioche, Percy Pigs, two kinds of chocolate biscuits, a tin of treats from Biscuiteers and (for a pathetic nod in the direction of a healthy alternative) some strawberries. We often joke about getting the gin out, but thankfully things haven’t quite got that bad (yet!).

    What’s the most unusual situation you’ve found yourself in because of your job?

    Last week, I found myself holding a silver pitcher worth somewhere in the region of £17,000. That was an unusual Tuesday! I had to wear special gloves when handling it and, once I had it in my clutches, I really didn’t want to put it down! It was an extraordinary piece – it had been hammered by hand and, though it looked totally smooth, you could feel all of the hammering marks through the gloves.

    What would people be surprised to know about your job?

    Maybe that we don’t actually see that many antiques in the office. We see some when we are out and about, and plenty at shoots, but they are rarely knocking around our desks. We don’t drink out of antique cups! Though I wouldn’t say no to having a samovar full of tea…

    Walk me through your typical day.

    Every day starts at around 9am with a cuppa, while I hack my way through the absurd number of emails that have accumulated overnight (who’s sending press releases out at 2am?). Then, depending on where we are in the schedule, I might move on to preparing copy for layout and editing picture selections, or working on future issues, brainstorming and planning features for down the line.

    We plan our photoshoots very far in advance, so that requires a lot of consideration, and the houses we feature are like an ever-evolving puzzle. Barely a day goes by when the Houses Editor and I aren’t consulting on them. Equally, I’ve always got part of my mind thinking about the cover, or a future cover, and cover lines usually evolve over the course of an issue.

    I definitely lose at least half an hour to Instagram every day – it’s a valuable tool for our market, as it contains so many feature leads, but it also contains many adorable dogs. And cats, for that matter…

    If you didn’t have to sleep, how would you use the remaining hours in the day?

    I’d sleep anyway. Sleep is wonderful.

    What is the last photo you took on your phone (at time of interview)? Why?

    Genuinely, it’s a picture of the inside of the mag. I took a few pics of some particularly beautiful features for Instagram.

    What’s your guilty pleasure?

    Neighbours. I do love that god-awful telly. It’s pure trash, and an excellent way to completely switch off your brain for 20 minutes.

    Whose phone number do you wish you had?

    Hugh Jackman’s. I’d get him to sing to me whenever I needed cheering up. He has the most beautiful singing voice (and face). I first saw him perform on stage when I was about 12 – I think before he made it big in LA – and I’ve been mildly besotted ever since.

    What’s the worst piece of advice you’ve ever been given?

    I’ve been pretty lucky on the advice front. There have been some excellent role models in my career thus far. I did once have an Editor tell me that I shouldn’t pitch ideas above my station, after which it took me a long time to regain my confidence to pitch anything at all. Now I’m an Editor myself, I respectfully disagree with that advice. Having recently gone through a redesign, I have seen first-hand that the best ideas can come from any member of the team, no matter what their level of experience.

    What/where is your happy place?

    A sunny, comfy window seat with a good book and a cup of tea. If it could be sunny and rainy at the same time, that would be ideal. And could the cup of tea magically replenish itself? And biscuits – obviously there would need to be biscuits. (And Hugh Jackman singing to me from the corner.)

    What would people be surprised to know about you?

    As anyone who has had a conversation lasting more than five minutes with me will know, I have a filthy potty mouth. On a previous team, the Staff Writer and the Art Editor would save up bad news and then place bets on what my swear word of choice would be when I eventually found out.

    What would be in your Room 101?

    Coriander. I swear that stuff isn’t actually edible. I have been trying for years to make myself like it, or even tolerate it, but I just can’t.

    Introvert or extrovert?

    An introvert, trying desperately to seem like an extrovert.

    Optimist or pessimist?

    A pessimist, trying desperately to be an optimist.

    Film or television? What are you binge-watching at the moment?

    TV – I love to binge-watch great telly shows. I hardly watch live telly at all anymore. I’m currently working my way through Legion, interspersed with Russell Howard & Mum: USA Road Trip when it all gets a bit much.

    Sweet or savoury?

    Sweet.

    Morning person or night owl?

    I suppose I’m slightly more of a night owl…

    Tea or coffee?

    TEA! Yorkshire English Breakfast, milk, one sugar, to be specific.

    Emojis – cool or cringey? Which emoji do you use the most?

    Cool, but only when used sparingly. My most used two are the sleep ones!

  • Future’s Mobile Industry Awards partners with Sky Ocean Rescue to #PassOnPlastic

    This will be Future’s first single-use plastic-free event, with the intention of encouraging the mobile industry to come together to drive the use of single-use plastic out of their product packaging, supply and operations.

    Every minute, the equivalent of a truckload of plastic enters our oceans, never to be removed. If we carry on at this rate, by 2050 the amount of plastic in the ocean could outweigh the amount of fish.

    In January 2017, Sky launched the Sky Ocean Rescue campaign and has been committed to removing all single-use plastic from its business and supply chain by 2020.

    “We’re working with the mobile industry to inspire changes, including plastic-free packaging for SIM cards and mobile phones,” said Fiona Ball, Head of Responsible Business and Sky Ocean Rescue. “We all need to play our part and turn inspiration into action.”

    Future believes the mobile industry has the power to influence and encourage the use of recyclable material in place of single-use plastic.

    Zillah Byng-Thorne, CEO of Future, commented: “We all need to take responsibility of single-use plastic consumption and the Mobile Industry Awards is the perfect platform to spark change within the industry.

    “Small changes can make a huge difference and I’m delighted Future is getting behind such a worthy cause.”

  • PC Gaming Show returns to E3

    It will take place live from The Wiltern, an iconic theatre in the city.

    The show, now in its fourth year, will be hosted again by Sean “Day[9]” Plott and will include sponsors Oculus Rift, Acer, Improbable, Tripwire Interactive, Stardock Entertainment, Frontier and Team 17.

    This year’s theme is “See the Future of PC Gaming”, embodied by hardware company Acer, which will unveil its latest innovations in a new technology segment. More than a dozen developers, including Coffee Stain Studios and Chance Agency, will also be in attendance to share sneak peeks of upcoming and unrevealed games on stage.

    “We’re delighted to host another event that will give PC gaming the presence at E3 it deserves,” said PC Gamer’s Global Editor-in-Chief Tim Clark.

    He continued: “Since its inception, the PC Gaming Show’s goal has been to demonstrate the depth and breadth of creativity on the platform – and this year we’re putting together a program with big reveals from indies and major players.”

    For more information and to register for press or content creator access, visit the PC Gaming Show website and follow #pcgamingshow. Members of the public can reserve tickets for free here.

    If you’re unable to attend in person, you can watch the PC Gaming Show on twitch.tv/pcgamer. The show will also be hosted on the Twitch homepage and will be broadcast live on Facebook, YouTube Gaming and Steam.

  • Printing Charity President Lionel Barber to speak at the charity’s annual luncheon

    The luncheon is now in its 191st year. It represents an opportunity for people in the industry to network with colleagues and friends, as well as listen to Barber’s insights into “The Printed Word”, and hear about what the charity is doing.

    Neil Lovell, The Printing Charity’s Chief Executive, commented: “Lionel Barber is at the helm of an organisation embracing traditional media and the digital age. He has helped position the Financial Times as one of the first publishers to successfully transform itself into a multichannel news platform. We look forward to an enlightening address.”

    Tickets for the annual luncheon cost £99.50 per person. To book tickets, email lucy@theprintingcharity.org.uk or call 01293 649 367.

  • CAP launches consultation to tackle harmful gender stereotypes in ads

    The consultation proposes the introduction of the following rule to the Advertising Codes, which will cover broadcast and non-broadcast media: Advertisements must not include gender stereotypes that are likely to cause harm, or serious or widespread offence.

    The consultation comes after the Advertising Standards Authority (ASA) – the body that administers the UK Advertising Codes – published a report last year called Depictions, Perceptions and Harm.

    It provides an evidence-based case for stronger regulation of ads that feature certain kinds of gender stereotypical roles and characteristics. These are ads that have the potential to cause harm by contributing to the restriction of people’s choices, aspirations and opportunities, which can affect the way people interact with each other and the way they view their own potential.

    The ASA already applies rules on offence and social responsibility to ban ads that include gender stereotypes on grounds of objectification, inappropriate sexualisation and depiction of unhealthily thin body images.

    Director of CAP Shahriar Coupal said: “Amid wide-ranging views about the portrayal of gender in ads is evidence that certain gender stereotypes have the potential to cause harm or serious offence. That’s why we’re proposing a new rule and guidance to restrict particular gender stereotypes in ads where we believe there’s an evidence-based case to do so.

    “Our action is intended to help tackle the harms identified in the ASA’s recent report on the evidence around gender portrayal in ads.”

    The evidence does not demonstrate that the use of gender stereotypes is always problematic or that the use of seriously offensive or potentially harmful stereotypes in advertising is widespread. The rule and guidance seek to identify specific harms that should be prevented, rather than banning gender stereotypes outright.

    The consultation on guidance to support the proposed new rule change provides examples of scenarios likely to be problematic in future ads. For example:

    • An ad that depicts a man with his feet up and family members creating mess around a home while a woman is solely responsible for cleaning up the mess.
    • An ad that depicts a man or a woman failing to achieve a task specifically because of their gender e.g. a man’s inability to change nappies; a woman’s inability to park a car.
    • Where an ad features a person with a physique that does not match an ideal stereotypically associated with their gender, the ad should not imply that their physique is a significantreason for them not being successful, for example in their romantic or social lives.
    • An ad that seeks to emphasise the contrast between a boy’s stereotypical personality (e.g. daring) with a girl’s stereotypical personality (e.g. caring) needs to be handled with care.
    • An ad aimed at new mums, which suggests that looking attractive or keeping a home pristine is a priority over other factors such as their emotional wellbeing.
    • An ad that belittles a man for carrying out stereotypically “female” roles or tasks.

    Ella Smillie, Gender Stereotyping Project Lead at CAP, said: “Our review of the evidence strongly indicates that particular forms of gender stereotypes in ads can contribute to harm for adults and children by limiting how people see themselves and how others see them and the life decisions they take.

    “The set of standards we’re proposing aims to tackle harmful gender stereotypes in ads, while ensuring that creative freedom expressed within the rules continues to be protected.”

    The consultation closes on July 26 and further information is available on the CAP website.

  • Future appoints James Marchington as Editor-in-Chief of Clay Shooting

    He will be responsible for all clay pigeon shooting content created across the monthly print magazine and the website, as well as consulting on Clay Shooting’s branded events. This includes the Clay Shooting Classic and British Schools and Young Shots Championship.

    Marchington is an experienced and knowledgeable shooter who was introduced to shooting at an early age by his father. He has worked in the shooting press for nearly four decades as a Writer, Editor and Photographer – and has recently started developing his skills in video production.

    “I am so lucky that I am able to combine my work with my lifelong passion for shooting. I have a special affection for Clay Shooting magazine, having been involved with the title since its early days. I am looking forward to building on what’s already been achieved to make it the magazine that clay shooters want and deserve,” Marchington commented on his new role.

  • Under the Radar with Orson Francescone

    Under the Radar with Orson Francescone

    What made you want to work in the events industry?

    I was duped into it.

    Can you chart your journey from when you started out to your current position?

    Having slaved over econometrics for five years at university I got sent for an interview by a recruiter who never mentioned events. I was told it was a research role in banking and finance. I walked through the doors of financial publisher Euromoney and started my career in what turned out to be conference production. I never looked back.

    Euromoney was a truly phenomenal learning school for me. It was founded by one of the giants of Fleet Street, Padraic Fallon. He turned the business into the giant of b2b information, events and data that it is today.

    Padraic was charismatic, but also ruthless. He instilled the most amazing sense of entrepreneurship and competition throughout the company. If you had an idea that could make money, you could fly with it, no matter how junior you were.

    Two days into my new job, I was boarding a plane to the US to research my first event. Soon after, I was on a plane to Turkey and then to Brazil. For the next 10 years, we built one of the most phenomenal and profitable global b2b event operations to come out of a legacy print publisher.

    We put together an amazing and well-oiled machine. Working off solid foundations and processes with a bottom up, content-first strategy, we matched it with a thought leadership sponsorship sales operation. As soon as we spotted a new trend, we would be on the first plane out of London to corner a market.

    We were also lucky to be in the right place at the right time. My formative years in b2b events coincided with the shift from print publishing to online and from ad revenue to event sponsorship revenue – together with the growing need for events to provide business networking and deal-making opportunities. Add to this the boom in capital markets and in emerging markets and we literally couldn’t produce events fast enough.

    Then 2008 happened. It hit us hard – really hard. It was a humbling but unique learning experience. By this stage I was in charge of a large P&L and a team of amazing colleagues. One of Padraic’s maxims had been: “Cut fast and cut deep. A beautiful rose is a well pruned one.” It tested me and formed me. You can only really say to have run a business if you have been through a downturn and come out alive at the other end – and we did.

    After Euromoney, I made the most exciting jump from conferences to expos and ended up running some of the world’s largest b2b trade shows for DMG Events. It was a tremendous experience running mega shows with hundreds of exhibitors and tens of thousands of visitors in remote corners of the world. Content-led events and trade shows have always been distant cousins who rarely crossed paths – those worlds are now converging at rapid speed.

    The experience taught me about the power that trade show providers now have in leveraging content to build new communities and grow stand sales and an exhibition footprint. It also taught me the wonders of scale as a barrier to entry. Bigger is definitely better in the events world.

    I am thrilled to now be leading the effort at Haymarket with a fantastic array of market-leading b2b brands and professional associations by putting in place an exciting growth plan across our portfolio of conferences and exhibitions.

    Do you have a go-to work outfit?

    I’m a suit kinda guy. It’s a mental state of mind. You put on your suit first thing in the morning and your mind switches into work mode. Since moving from financial information, I have dropped the tie, but ask anyone and they will tell you they have never seen me in casual clothing, not even on a Friday!

    What do you turn to when you’re on deadline – tea/coffee/snacks?

    Working in events, you’re on a constant deadline – coffee in the morning, strong builder’s style tea in the afternoon.

    What’s the most unusual situation you’ve found yourself in because of your job?

    Collecting $30,000 in cash from a sponsor in bills of $100 in a hotel suite in Bali while trying to keep a straight face and an air of nonchalance while I counted it note by note in front of the client.

    What would people be surprised to know about your job?

    That we don’t pay speakers. Industry outsiders are always amazed. I am always amazed that they’re amazed.

    Walk me through your typical day.

    Don’t be silly. It’s events. It’s organised madness. That’s why I love it.

    If you didn’t have to sleep, how would you use the remaining hours in the day?

    Laughing – with my family and my true best friends, ones I can call in the middle of the night, the ones I can count on one hand. When all the chips are down, that’s all you’ve got. Never forget it and hold on tight to them.

    What is the last photo you took on your phone (at time of interview)? Why?

    Me at the Learning and Development Show build at Olympia. I am always there for a show build. I love it – it’s the best part of the job.

    What’s your guilty pleasure?

    Artichokes – in Rome, my native city. They are serious business there. I could eat them all day, every day.

    Whose phone number do you wish you had?

    Martha Argerich.

    What’s the worst piece of advice you’ve ever been given?

    Not to buy Bitcoin in 2009. I remember my boss telling me, “You might as well put that money straight down the toilet.” It taught me to follow my instincts more. My gut feeling isn’t always right, but most of the time it is. I now say to myself, “Go with your instinct and manage the downside the few times you get it wrong. On average, you’ll be in the money."

    What/where is your happy place?

    The Lincoln Center in New York, with my mother. We can visit the Metropolitan Opera and the New York Philharmonic on the same day within 10 steps of each other. The top opera house and orchestra in the world wrapped around one of the most stunning architectural settings of the 20th century in the greatest city in the world – it doesn’t really get much better than that.

    What would people be surprised to know about you?

    I spend a lot of my weekends in a prison doing voluntary work.

    What would be in your Room 101?

    Email chains. Hip-hop. Fixed seat venues. Parsley.

    Introvert or extrovert?

    Introvert. I am a listener, not a talker, but when I do talk, I wave my hands a lot! That’s the half Italian in me, other half being Irish.

    Optimist or pessimist?

    I get depressed by humanity’s foolishness that we see played out in the world everyday, so I tend to always play out in my mind and prepare for all eventualities.

    When I stand back and look at what mankind has achieved in the past 100 years, let alone 2000, you can’t but admire the spectacular progress we have made.

    Film or television? What are you binge-watching at the moment?

    TV. I would be very happy with having just Prime Suspect, Doctor Who, Yes Minister and Fawlty Towers on a loop.

    Sweet or savoury?

    Savoury. Nobu’s spicy rock shrimp tempura is my second guilty pleasure.

    Morning person or night owl?

    Morning.

    Emojis – cool or cringey? Which emoji do you use the most?

    Man facepalming. It’s me all over, but GIFs are where it’s at now. Some of them genuinely make me laugh out loud.

  • Empire publishes first-ever voice-responsive cover

    A concealed speaker is activated by a button which, when pressed and spoken to, offers one of 14 recorded replies from Deadpool himself.

    The cover, created in partnership with Twentieth Century Fox, will coincide with the launch of Deadpool 2.

    This creative cover is the latest in a series of special issues from Empire, including the world’s first video cover for Fantastic Beasts and Where to Find Them in 2016 and Europe’s first virtual reality magazine for Alien: Covenant in 2017.

    Inside the issue, readers can enjoy a filmmaking feature by Chris Hewitt, including interviews with stars Ryan Reynolds and Josh Brolin, Director David Leitch, Writers/Producers Rhett Reese and Paul Wernick and Producer Simon Kinberg.

    These limited edition issues are produced in addition to the normal newsstand issue of Empire.

    Terri White, Editor-in-Chief of Empire, commented: “Deadpool 2 is the film of the summer, pushing pretty much every boundary going, so it was the perfect movie for us to partner with on our latest limited edition, exclusive magazine. Voice-responsive technology is right at the cutting edge, so we were determined to find a way to incorporate it into the magazine in yet another world-first.”

    The exclusive subscriber pre-sale will open on May 15, the same day the film hits screens with general pre-sale on May 16. The magazine will be available in stores from May 17, priced at £12.99.