Tag: events

  • The PPA Festival is back for 2024

    The PPA Festival is back for 2024

    The flagship PPA conference aims to help specialist content providers devise new strategies and explore solutions for the opportunities and challenges that lie ahead.

    Agenda themes will cover all areas of B2B and B2C publishing, including product strategy and development, content creation, audience growth and engagement, data, sales excellence, talent management, and leadership insights.

    Stuart Forrest, Global SEO Director, Bauer Media Group said: “The PPA Festival is one of the few genuinely unmissable dates for people in our industry. Really useful and insightful talks, and the chance to catch up with anyone who is anyone in the publishing sector.”

    Ridhi Radia, Head of Equality, Diversity and Inclusion, Immediate Media added: ”The PPA Festival fosters an environment where collaborative ideas and innovative strategies can flourish. This event stands as a testament to the dynamic and evolving nature of media and publishing, offering a unique platform for sharing insights and shaping the future of our industry.”

    Robin Booth, Managing Director, emap commented: “It is always an invaluable opportunity to share opportunities, challenges, and experiences with past colleagues you may not have seen for some time. It provides a refreshing sanity check, as well as inspiration to keep innovating and remaining ambitious. The knowledge to be gained in conversations with highly experienced media professionals is very powerful. You always get a pleasant surprise meeting someone you weren’t expecting to see and learning something new.”

    More than 70 expert speakers will deliver thought leadership and actionable takeaways across four stages:

    • The Big Picture Stage: strategic insights from industry figureheads and thought leaders
    • Audience Stage: exploring the customer journey, from audience identification and growth to subscription acquisition and retention
    • Product Stage: cultivating and engaging new and existing audiences by leveraging the latest developments in tech and digital strategy
    • Content Stage: editorial leaders will explore creative excellence, resilience, and reinvention

    The first-look agenda is coming soon. Book tickets before 9 February to enjoy pre-agenda rates. Find out more and book here.

  • PPA Independent Publisher Conference: key takeaways

    PPA Independent Publisher Conference: key takeaways

    PPA Market Sector Insight Report

    In this keynote session, Amanda Wigginton, Audience Measurement and Insight Lead, PPA and Douglas McCabe, CEO, Enders Analysis debated the headline findings to understand what it means for you and your business.

    • Confident leadership: post-covid there is a renewed belief in trusted content. Despite tough market conditions, the industry is optimistic about growth and transformation – especially compared to five years ago.

    • Be market-focused: specialist content has the unique ability to connect communities and drive deep engagement. Your audience should be at the heart of the decisions you make. Use data to test and learn different approaches.

    • Have a talent strategy: putting people front and centre is absolutely imperative to retaining the best team and delivering on your growth goals.

    • Strategic focus and prioritisation is vital: many of us are being asked to do more with less so it’s more important than ever to have a clear strategy that everyone in your business understands and is motivated to deliver.

    • It’s the specialists that win, not the generalists. You are an agent of change. Digitalisation continues to reshape the way content is accessed and consumed. Print and digital platforms coexist in an ever-shifting balance, offering readers both the tangible experience and the convenience of instant access to content at their fingertips.


    Monetise your data to create demand gen products

    The speakers in this session looked at how to build demand gen products that add measurable value to independent publishers and deliver more sales for both client and audience.

    • Blend marketing and subscription services. The goal is to enhance the customer journey to create a single seamless experience.

    • You can only do as much as your resources allow. Ask yourself, where can you make the difference and what will work for the majority of your customers – that’s where you should focus the majority of your efforts.

    • Curate, create, and continuously improve. Offer a variety of content from thought-leadership to events. It’s important to reflect on performance, using research and insight to analyse and inform your decision making.

    Speakers: Andrea Charles, Head of Custom Content, Citeline. Kate Daw, Head of Marketing, Newtrade Media. Sukaina Virji, Senior Associate Partner, ICR Consilium. Tom Wright, Executive Director, Arc.

    How publishers are using AI to their advantage

    Whether it’s ChatGPT or Midjourney, AI tools are changing our sector fast. Publishers are integrating back-office function to improve workflow, researching stories, and understanding more about the audiences they serve – all whilst working ethically and transparently.

    • Don’t listen to self-proclaimed experts, there are none. AI is a rapidly evolving technology and you know what’s best for your business, but it is important to use guardrails and not to be naive about the limitations and issues. AI is not the answer to all your questions, make sure you do your research.

    • Encourage experimentation. There are many ways you could use AI to streamline your workflow. You may need different tools depending on the job, for example, you could repurpose a podcast into an article using Trinit or ChatGPT to summarise the audio.

    • Judgement and taste are essential. AI might be able to ‘make’ 95% of content but it’s the 5% that customers are paying for. Everyone has access to AI tools, your content is distinguished by your deliverables and blending of human creativity.

    Speakers: Carl Myers, CTO, Faversham House. Charlie Beckett, Director, The Journalism AI Project, Polis, LSE. Dickon Ross, Editorial Consultant. Katja Eggert, Head of Strategic Development, Immediate Media.

    Delivering sustained, year-on-year subs growth

    For many independent publishers subscriptions remains the number one source of revenue. There are new ways to reach key audiences, innovative pricing strategies, onboarding, reducing churn, and much more.

    • Take advantage of content distribution partners. For example, Apple News+ has done exceptionally well for Motor Sport, allowing them to grow as more people discover their content.

    • Use technology to maximise user experience and offering. You may need to be patient for results, but informed decision making and a clear strategy will ensure you reach your goals. Make sure you set specific objectives “we need a new subs buyer flow” isn’t good enough.


    • Audiences change, you need to accommodate that. Yes, people like freebies, but there are other opportunities and you should communicate value adds with your subscribers. Knowing what your audience wants and personalising their experience is important.

    • Be prepared to pivot – assume nothing works unless you’ve tested it yourself, and use data and insights to refocus as needed.

    • You don’t always need to shoot for gold across the board – “good” is sometimes fine. It’s also important to be realistic with your investment and be brutal in asking if you will see the needed return. You should focus on what drives long-term business growth but also plan for some early wins.

    Speakers: Carolyn Morgan, Managing Consultant, Speciall Media. Joanna Edwards, Marketing & Communications Director, FT Specialist. Mark Beard, CEO, Prospect Publishing. Zamir Walimohamed, Head of Digital, Marketing & Subscriptions, Motor Sport.

    CEO confidential: a front row seat in the boardrooms of today

    This was an exclusive opportunity to have a seat in the boardroom and hear what publishing CEOs are planning for 2024. They covered surprising successes, the things that didn’t quite work out, and where they’ll next be placing their bets. They were candid, here’s what we can share with you…

    • A focus on marketing skills is key. Figure out ways to bring marketing expertise in every role, be it content or graphic design. Aim to train the digital team in marketing to some extent.

    • Beat the algorithms by studying audience behaviour. Make sure you understand what your audience likes and how like they to consume – then tailor your content and curate a personal experience.

    Speakers: Diane Young, Co-Founder and CEO, The Drum. Ian McAuliffe, PPA Independent Publisher Network Chair and CEO, Think. Jon Bickley, Co-Founder and CEO, Anthem Publishing. Sarah Cox, Co-CEO, Burlington Media Group. Tobi Oredein, Founder and CEO, Black Ballad.

    A workflow masterclass for independent, digital-first publishers.

    Workflow guru James Naylor shared the secrets of a fully integrated publishing eco-system. Previously Production Director at Hearst, James walked us through his experience of Teams, Slack, Dropbox, Trello, channel neutral CMS, DAMs, and all the other tools Slimming World uses to publish content seamlessly to every platform.

    • There’s no such thing as a fully integrated publishing ecosystem. But workflow tools can be powerful in supercharging productivity.

    •  Asset-first thinking can simplify your IT landscape.

    • Digital-first content approach can unleash reuse and reduce rework.

    • Be platform agnostic – it’s not necessarily about a specific supplier, but rather about the concept. Whichever platform fits your budget, the theory still applies.


    Speaker: James Naylor, Core Systems Architect, Slimming World. Moderated by: Craig Llewelyn-Williams, Principle Consultant, The App Lab.

    From purpose to paywalls: How to build long-term B2B value through membership models

    As the UK’s largest sustainable business media brand with 25 years’ heritage, edie is undergoing its biggest phase of growth to date – driven by a brand-new corporate membership offering. Here, edie’s publisher Luke Nicholls explained how the brand has taken a purpose-led approach to its free-to-paid business model transition, and the key lessons learnt along the way.

    • Align your membership offering with your brand’s growth ambitions, and the broader market context. What are your goals? How is the market evolving? How would membership play into these areas?

    • Establish a value hierarchy. Look at what your audience likes most – and least – and build your subscription offering around that. Don’t make assumptions.

    • Make your product positioning clear. Have an aligned statement prepared for your paywalls, and connect the messaging back to your purpose.

    • Use names that resonate. Consider naming the subscription tiers using terms that mean something to your target audience, rather than “bronze/silver/gold”.

    • Lead queue prioritisation is key for memberships. Make sure your most engaged audience members are the first to be called.

    • Create moments throughout the year. Use the big industry events as a membership sales opportunity – adjust your comms to tie in with this, and ensure there is a good cross-selling process in place between other products/events and your subscription offering.


    Speaker: Luke Nicholls, Publisher, edie. Moderated by: Tessa Parry-Wingfield, CEO, The Power of Words.

    ‘Independent Witness’ discussion with Katie Vanneck-Smith and Matt Kelly.

    A rare interview with Hearst UK CEO Katie Vanneck-Smith by Matt Kelly, the award-winning founder and editor of The New European.

    • Be solutions-focused. People might already know the solution, but they’re probably used to telling you the problem. I don’t let anyone tell me about a problem without a solution. Or three.

    • Data isn’t everything. It won’t give you answers, but it is a good sense-check – use it to make informed decisions, but remember you and your team still need to bring your expertise.

    • We’re in the business of passion. Connecting with our audiences emotionally is more important than just pushing out content. With AI advancements, it’s more important than ever to go deeper and give your audiences something only you can produce.

    • People are everything. Empower your teams to be bold and strive for exceptional. The great thing about independent businesses is that everyone has a seat at the table, prompting debates and new ideas.
  • PPA Scotland Award winners revealed

    PPA Scotland Award winners revealed

    You can see the photos from the night here.

    The awards highlight the exceptional individuals and companies who delivered outstanding work over the last year – from highly respected editors, world-class writers, and commercial teams, to innovative events, digital products, and creativity that bring the brands to life.

    The entries, judged by an expert panel from across the industry, were plentiful and diverse. From small and large companies across consumer and B2B to start-ups and those that have been flying the flag for publishing for years.

    John Innes, PPA Scotland Chair commented: “The broad range of winners across all the PPA Award categories shows that innovation, ideas and inspiration within the specialist media sector in Scotland is thriving. What makes us special – our trusted content and focus on communities – is continuing to attract engaged audiences, strong commercial partnerships and exceptional talent.”

    Winners

    • Writer of the Year – Michael McEwan, DC Thomson
    • Young Journalist of the Year – Lucy Fitzgerald, Radge Media
    • Designer of the Year – Phil Tristram, CA Magazine, River Group
    • Columnist of the Year – Michael McEwan, DC Thomson
    • Editorial Photograph of the Year – “If not me, who?” (Pam Duncan-Glancy MSP), Holyrood
    • Newsletter of the Year – Tes Scotland
    • Event of the Year – Holyrood’s 500th Issue Reception, Holyrood Events
    • Podcast of the Year – Murder in the Granite City, The Scottish Sun, News UK
    • Brand Extension of the Year – Adelaide Summer Festival Guide 2023, List Publishing
    • Media Brand of the Year – Holyrood Communications
    • Independent Publishing Company of the Year – We Are Makers
    • Supplement/Special of the Year – Cycling World Championships, International Media Sales, White Light CM
    • Editor of the Year – Mandy Rhodes, Holyrood, Holyrood Communications
    • Launch/Relaunch of the Year – Tea Shack News Rebooted, Step Change in Safety
    • Customer/Member Title of the Year – IQ, Mensa, Think Publishing
    • Business Title of the Year – HolyroodDaily, Holyrood Communications
    • Consumer Title of the Year – Bunkered Online, DC Thomson
    • Cover of the Year – CA Magazine, ICAS Accounting, River Group ltd

    With thanks to PPA Scotland Awards partners: Acorn Web Offset, Evessio, The International Magazine Centre, Midton, Shutterstock, and PLS.

  • PPA Editors Dinner in partnership with Shutterstock Editorial

    PPA Editors Dinner in partnership with Shutterstock Editorial

    The lively discussion covered key themes including:

    • Practical implementation of AI
    • Team structures and skills
    • Building the brand of journalists as experts
    • Sustainability
    • Paywall strategies
    • Newsletters
    • Membership vs subscriptions
    • Events
    • Changing media consumption

    This was just one of a series of events for specific function leaders across the spectrum of specialist content providers. If you’re a PPA member interested in meeting those in a similar role to yours across different brands and businesses, get in touch with hannah.bray@ppa.co.uk

  • International Magazine Centre’s annual conference returns

    International Magazine Centre’s annual conference returns

    Tickets for Magazine Street, taking place on Thursday 5 October in Edinburgh, are on sale now.

    PPA CEO, Sajeeda Merali will be hosting a roundtable inviting students from diverse backgrounds to pose questions, get inspiration, and hear a personal account of her journey in magazine publishing. You can see the full speaker and session line-up here.

    There is a pay it forward scheme, where those who can are invited to donate the price of a ticket for someone who would otherwise be unable to attend.

    Tickets include:

    • Access to a full day of talks and workshops, plus networking opportunities
    • Breakfast, lunch, and a drink after the conference
    • Delegate bag with a copy of the printed programme, notepad, pen and a free magazine or two
    • Headshot taken by professional photographer
    • Access to all videos from the main stage speakers to watch on demand
    • Post event you’ll be sent a copy of Word on the Street, the magazine that Simon Esterson and Joanna Cummings will be creating about Magazine Street on the day


    You can find out more about the conference, and book tickets, here.

  • PPA Next Gen Awards: entry deadline extended to 28 July

    PPA Next Gen Awards: entry deadline extended to 28 July

    The newly rebranded PPA Next Gen Awards exist to champion the most exciting rising stars in UK specialist media. From dynamic data analysts, events experts, and driven sales teams; to marketing and insight stars, engaging writers, boundary-pushing people teams, and finance wizards –  these awards look to celebrate the individuals in our industry whose achievements and skills are shaping the future of our sector.

    Entries and nominations are encouraged from individuals, across business and consumer media, with diverse talents and backgrounds to share their achievements.

    Winners will be celebrated at an exclusive event on Thursday 12 October at the Mondrian Hotel, Shoreditch, London.

    What you need in order to enter or nominate someone:

    • 400-word statement
    • At least one supporting document
    • 200-word endorsement

    **Next Gen Awards entrants must have been born ON or AFTER 30 June 1993 to qualify **

    The PPA Journalism Student of the Year

    This category is free to enter and recognises the future content creators of our industry, showcasing exceptional work during their studies, and displaying promise to be the journalistic talent of tomorrow.

    Open to all current undergraduate or postgraduate journalism students or those that have graduated in 2023 (of any age range).

    The closing date for applications for both Next Gen Awards and Student of the Year is Friday 28 July 2023.

    Find out more and enter here.

  • PPA Scotland Awards open for entries

    PPA Scotland Awards open for entries

    With 22 categories to enter there’s something for every job function and organisation – from highly respected editors, world-class writers, and commercial teams, to the designs and creativity that bring our brands to life, innovative events, and excellent digital products.

    Entries are encouraged from both b2b and b2c publishers, and those with diverse backgrounds and job roles. The rigorous judging process and expert judging panel ensure that truly standout work is celebrated.

    Entry deadline: Friday 15 September
    Eligibility period: 1 June 2022 – 30 July 2023
    Special offer: get five entries for the price of three

    PPA members receive discount on entry and attendance rates, find out more and enter here.

  • PPA Independent Publisher Awards open for entries

    PPA Independent Publisher Awards open for entries

    With 25 catgories spanning every corner of our industry, the PPA Independent Publisher Awards are the industry recognition to strive for. Celebrating the exceptional individuals and companies who delivered outstanding work within the last year – from highly respected editors, world-class writers, marketing whizzes, and commercial stars, to the designs and creativity that bring our brands to life, innovative events, and excellent digital products.

    Entries are encouraged from both b2b and b2c publishers, and those with diverse backgrounds and job roles. The rigorous judging process and expert judging panel ensure that truly standout work is celebrated.

    Entries close midday Friday 8 September
    Offer: five entries for the price of three

    PPA members receive discount on entry and attendance rates, find out more and enter here.

  • PPA Festival 2023: Key takeaways from the Audience stage

    PPA Festival 2023: Key takeaways from the Audience stage

    If I could sum up the Audience stage at the PPA Festival in one word, it would be engagement. From developing e-newsletter habits and community building to (shock horror) actually connecting with subscribers on a regular basis with a bit of positive reinforcement. If your subscription management and publisher tactics are engaging, then your media brand will be too.

    Here are 11 top takeaways from the experts speakers on the day (representing a wide range of businesses, including HELLO!, Hearst, the Financial Times, The Drum, Mark Allen Group, Ipsos iris, and many more)…

    1. Great content comes from letting your community control the conversation (just don’t forget to lay the ground rules). We all want to belong to something and publishers provide the perfect platform on which like-minded individuals can connect. The secret to effective community management is to establish strong rules of engagement from day one and not limit the conversation to the subjects that brought the community together in the first place. Then let the magic happen organically. Oh, and badges are good too (particularly if you’re trying to get people in the independent mountain biking community to pay and the novice badge is associated with free membership).

    2. You want people to contact you if your email doesn’t go out on time. This isn’t a tip about increasing your customer service department, but rather a point about consistency when it comes to email send times. How often do you send an email when it’s ready rather than when it’s right to do so? Building healthy email habits is a great way to get your audience to think about you – and miss you. Of course, a consistent time is only worth keeping if your email content is consistently interesting. Don’t be afraid to stick just one message in an email. And, avoid clever and quirky
    e-newsletter brand names as they’re a nightmare to market.

    3. Premium gated online content is the best way to get to know your print subscribers. A print subscriber can be, at best, an elusive being. But, by offering a complementary digital subscription to all print subscribers – and then tactically placing content online that provides the answers to questions posed in print. Immediate now know so much more about audience interests, buying habits – and garden sizes.

    4. Kindness is good for business (and you). A content strategy based around kindness (and happiness) will not only make your audience – and you – feel better it also provides the ideal environment for commercial partners. Choose kindness and watch those campaign metrics skyrocket.

    5. June is the most popular month for fashion, style and beauty content. Now, you might be wondering what this tip has to do with all B2B and B2C brands. But, this is about data and how, by using tools such as Ipsos iris, publishers can monitor trends in consumer behaviour to help shape both the content they create and the strategy that sits behind it.

    6. Forget FOMO, positive subscriber relationships are ones built on positive reinforcement and trust. It’s great to see media brands now regularly communicating with subscribers (rather than adopting a more ‘ignore and hope they forget’ approach). But don’t fall into the trap of reminding people what they’re not using. Instead, think like Spotify (and its Wrapped model) and celebrate how people are engaging with you.

    7. To ‘dominate’ in subscriptions management, you need to first be a ‘sub’. Yes, I am using a sex analogy, but that’s the kind of advice you get when you ask a Sex Education script consultant and sexpert to talk to a room of subs marketers about creating relationships that last. This tip made the vital point that if you want to understand your audience, take out a subscription and join them. Then, think about how your communications make you feel. (NB: no whips needed like they were on stage).

    8. When choosing to partner with an influencer, ask yourself, are they delivering authentic content to the audience you want? Two related tips here. Influencer marketing works best when you find a genuine expert with the relevant audience (look for quality not quantity) and focus them on creating editorial not advertorial and speaking in an authentic voice. Also, beware the influencer who says yes to everything. If they’re selective, their audience is more likely to select you.

    9. Sell intent, not audience. Demand gen will supercharge your revenues in 2023 and beyond. Rather than selling advertising around editorial content online, it’s now possible to gather data around content consumption and user behaviour and use that data to push high-intent subscribers towards relevant branded content hubs.

    10. Education content is not the same as media content. If you’re looking to build a training business as a way of diversifying revenue (a great idea by the way), you need to invest time and money on pedagogy and learning design – then use your existing content intelligently to encourage sign-ups. 

    11. Put a mint with the bill and your tip will jump up by 3.3%. Not sure how this relates to publishing? Register your interest for the PPA Festival 2024 and you’ll never miss out on the latest marketing and publishing tips again.

    See you next year.

    BONUS TIP
    If you run awards, why not set up a community for your judges, like they do at The Drum. It’s a win win. The judges get a whole host of brilliant new contacts with which to connect and you get instant access to a beautifully-curated bunch who will judge more awards, attend roundtables, answer questions, and be generally useful.

    Words by Jackie Scully, Executive Director, Think Publishing.

  • AI will profoundly change media, PPA magazine chiefs predict

    AI will profoundly change media, PPA magazine chiefs predict

    This article originally appeared on Campaign.

    The rise of artificial intelligence will “profoundly change” the magazine industry, and the sector needs to work together to innovate and ensure there are “protections in place” for content creators.

    That was a key theme that emerged at the PPA Festival, an annual gathering of UK magazine industry chiefs, where Sajeeda Merali and Nina Wright, respectively the CEO and chair of the PPA, both referred to the opportunities and threats posed by AI.

    “Media is at the very centre of this AI debate. It will profoundly change the way we both produce and consume media,” Wright said, explaining how the PPA recently held a roundtable with editorial decision-makers about the impact of this emergent technology.

    Wright, who is also chief executive of Harmsworth Media, which owns New Scientist, said the PPA wanted to use “the power of the collective voice” to support the creators of professionally-produced content as government considers potential regulation of AI.

    She added the PPA is set to meet policy advisers from the Office of Artificial Intelligence at the Department for Science, Innovation and Technology this week.

    Merali said the PPA wants to help the magazine sector and the wider media industry “to create some common guidelines on how AI should be used” and “to ensure the right balance is struck” between innovation and regulation.

    It is vital that “there are protections in place for content creators whose works have been used by machine learning tools without appropriate compensation and this will involve working alongside other creative sectors and trade bodies”, Merali said.

    The use of generative AI tools, such as ChatGPT, has exploded since the start of 2023, with internet users using the tech to carry out tasks including answering questions and writing articles. ChatGPT reportedly reached 100 million users in only two months in February.

    Other speakers at the PPA Festival also mentioned the growing role of data and AI.

    Lucy Kueng, Senior Visiting Research Fellow at the Reuters Institute, gave a presentation about organisational change in media companies and said there was a trend for new roles within the senior leadership team or C-suite to reflect the changing nature of a “digital-centric” industry.

    These new roles include: an executive with specific responsibility for data and AI, which is distinct and separate from the role of chief technology officer; a top commercial role for an executive who can understand growth areas such as digital subscriptions strategy as well as advertising sales; and a “super-charged HR role” with responsibility for improving a company’s “social architecture” in areas such as culture, talent and inclusion, as employees are less loyal and more likely to change jobs.

    Peter Medwid, co-founder of and partner at Katahdin Media Management, which recently surveyed PPA members about various industry issues, said most media companies were “pragmatic” and “cautious” about AI but he encouraged leaders to experiment.

    “AI is exploding in so many different areas – don’t limit it to ChatGPT,” Medwid said. “There’s AI for photography, for video, for illustration and music, and more is in development all of the time,” he added, pointing out that several companies have set up an internal “taskforce” to tackle AI.

    AI can remove some of the “sheer drudgery and time” involved in doing some tasks such as social media posts. “That was an opportunity to let AI step in and save about 45 minutes to an hour of this individual’s day,” one PPA member told Medwid’s survey team.